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Film Studies Essay 代写:真人电视和学徒

Film Studies Essay 代写:真人电视和学徒

早期的游戏节目,从观众中挑选出来的选手也提供了现实的时刻脱稿。Groucho Marxs游戏节目你打赌你的生活!在节目开始之前,马克思对他们的背景进行了详细的介绍,并对普通的选手进行了简短的访谈。

电视节目在60年代和70年代通常是照本宣科,与铸造专业演员创造角色。它被认为是一种现实的表演节目,未经训练的演员工作无指导脚本将几乎不能看了。就没有办法创造一个令人满意的故事的结局正是分配半小时或小时的典型的脚本显示运行时间后。只有网络可以在上世纪70年代的一个真正的真人秀节目的理念是公共广播系统(PBS)。一部名为“美国家庭”的纪录片,在他们处理父母即将离婚的问题的过程中,真正的生活在他们的大家庭里。

在上世纪80年代后期,银团的真人秀叫警察开始显示出真正的警察执行职务为手持摄像机的镜头。警察的成功刺激了其他生产公司创造的现实显示了由业余摄影师,当地新闻机构,和警察监视摄像机拍摄的真实镜头。这种纪实形式的真人秀节目被证明是很受欢迎的,特别是在年轻的广告主的人口统计。

同时,另一种形式的真人秀开始初具规模。真实世界的生产商招募二十多岁组住在装修好的公寓里,而相机记录他们生活的每一个公共的时刻在一起。这段录像是精心编辑创造一个令人满意的弧集,即使参与者似乎有一定的冲突的时候。显示像现实世界证明,电视观众可以欣赏到脱稿表演有些照本宣科的情况反应。

Film Studies Essay 代写:真人电视和学徒

Early game shows featuring contestants selected from the audience also provided moments of unscripted reality. Groucho Marxs game show You Bet Your Life! featured extended interviews with ordinary contestants, although Marx was thoroughly briefed on their backgrounds before the show started.

Television shows during the 1960s and 1970s were usually scripted, with a cast of professional actors creating the characters. It was believed that a reality show featuring untrained actors working without a guiding script would be virtually unwatchable. There would be no way to create a satisfying storyline ending precisely after the allotted half-hour or hour running time of a typical scripted show. The only network amenable to the idea of a true reality show in the 1970s was the Public Broadcasting System (PBS). A documentary called An American Family followed the real lives of the Loud family as they dealt with the parents’ impending divorce.

During the late 1980s, a syndicated reality show called COPS began showing real policemen performing their duties as hand-held cameras rolled. The success of COPS spurred other production companies to create reality shows featuring real footage captured by amateur photographers, local news organizations, and police surveillance cameras. This documentary form of reality show proved to be quite popular, especially among the younger demographics sought by advertisers.

Meanwhile, another form of reality show began to take shape. Producers of The Real World recruited groups of twenty-somethings to live in a furnished apartment while cameras recorded every public moment of their lives together. The footage was carefully edited to create a satisfying arc of episodes, even if the participants appeared to be prodded into certain confrontations at times. Shows like The Real World proved that television audiences could enjoy watching unscripted performers reacting to somewhat scripted circumstances.

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